Articles
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Heavy META – should Improv look in the mirror ?
I’ve been given the opportunity to take part in a improv workshop in April 2026 focusing on the show Meta, created by the french theatre company La Morsure. This is the perfect opportunity for me to put in order some old notes I’ve jotted down about this famous concept of ‘meta’! You’ve probably not had
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Circles of consent in Improv : traps to avoid
Just five years ago, circles of consent were virtually unknown in the French-speaking improv theatre scene. By 2025, this tool is much better known and fairly widely used within improv groups. That’s something to celebrate! But like all tools, its use carries risks, which can go as far as mistreating the very people we are
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Dear audience – part two : Power to the people ?
Improvisational theatre is a fantastic artistic discipline for many reasons. One of them is that it allows for a much healthier relationship between artists and the audience than in traditional scripted theatre. French company La Morsure unerlines it in its online presentation: “[Improvisation] makes the creative process visible to the audience and integrates it into
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Dear audience
(The improv audience – 1/2) I have written several articles on the importance of looking after our stage partners, particularly when it comes to the issue of consent. But there was still one major topic left to address, as other partners – and by no means the least important ones – make up the community